After a woman's husband dies while jogging in the park, the young widow's deep grief helps to awaken his ghost. The ghost urges her to commit suicide to join him in the afterlife. While the young woman is making up her mind about suicide, her husband's ghost helps with a current murder case.

Giving up the Ghost, a newly filmed interview with actor Gary Frank

A womanizing New York adman attempts to identify the causes of, and find a remedy for, his so-called addiction to sex, in order to win the love of a woman he respects.

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A number of B.B.C. sketch shows appeared in the wake of 'Not The Nine O'Clock News', all attempting to recapture the original's healthy disrespect for authority and revelling in sheer bad taste for the sake of it. Made by B.B.C. Scotland, and executive produced by Sean Hardie, 'A Kick Up The Eighties' is today best remembered for bringing the then-unknown Rik Mayall ( credited as Kevin Turvey ) to a mass audience. Turvey, a Brummie idiot who fancied himself as an investigative reporter, delivered surreal monologues to camera which he concluded by saying: "Kevin's 'ere!", whilst touching his left ear. Turvey became a cult character, leading to him getting his own one-off show: 'Kevin Turvey - The Man Behind The Green Door'.

A number of B.B.C. sketch shows appeared in the wake of 'Not The Nine O'Clock News', all attempting to recapture the original's healthy disrespect for authority and revelling in sheer bad taste for the sake of it. Made by B.B.C. Scotland, and executive produced by Sean Hardie, 'A Kick Up The Eighties' is today best remembered for bringing the then-unknown Rik Mayall ( credited as Kevin Turvey ) to a mass audience. Turvey, a Brummie idiot who fancied himself as an investigative reporter, delivered surreal monologues to camera which he concluded by saying: "Kevin's 'ere!", whilst touching his left ear. Turvey became a cult character, leading to him getting his own one-off show: 'Kevin Turvey - The Man Behind The Green Door'.

The long dead ghosts of celluloid are coming back to haunt the digital space.

The long dead ghosts of celluloid are coming back to haunt the digital space.

Recently deceased, a white-sheeted ghost returns to his suburban home to console his bereft wife, only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away.

Mi-young, a mortuary cosmetologist, makes money by pulling gold teeth from dead bodies. Then one day an unidentified body was taken to the morgue.